You were either a blue or a white or whatever. There were two teams, that were signified by colours, sports teams.
It was not a boarding school, it was a day school.Īlfred Hitchcock and François Truffaut creating Le Cinéma selon Hitchcock And in the woods, behind the school was the headmaster's house. It had a big campus that was right at the edge of the woods. I don't think my parents could have afforded to send me there if she hadn't. I went to a school in Lenox, Massachusetts, where I grew up. KJ: Yeah, I remember the first time I realised I was watching a Hitchcock film. Did you see that in the film?ĪKT: Do you remember the first time you realised that you were watching a Hitchcock film? She plays this woman who suddenly realizes that she has been living Vertigo and didn't know it. Traveling downtown after an afternoon tea with Charlotte Rampling and the director of 45 Years, Andrew Haigh, at the Plaza Athénée, I had already transitioned to Vertigo, the movie referenced most in Hitchcock/Truffaut, next to Psycho.Īnne-Katrin Titze: Half an hour ago, I spoke with Charlotte Rampling about her role in 45 Years and Vertigo came up. Eric Gautier shot an early interview in the old Cahiers du Cinéma offices. For Hitchcock/Truffaut, Kent decided to forego a direct linking of films and opted for an energy driven structure. It all began for Kent Jones with Dial M For Murder, Fahrenheit 451 and Richard Schickel's Men Who Made The Movies that included William Wellman, Howard Hawks, Vincente Minnelli - but no John Ford. Robert Cummings with Alfred Hitchcock and Ray Milland (Dial M For Murder)
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